By Steven Hall
Newswriting student
As summer approaches, so does the next annual Craft Fair of the Southern Highlands, an event that still breathes life into a long-lived tradition.
“My father was always painting and my mother was always making crafts, so I was brought up in a creative environment,” said Norma Bradley, a multimedia artist and Southern Highland Guild member. “There is a human need to create and have personal expression, whether you are making a statement or simply bringing beauty to the world.”
Bradley, originally from New York City, owns a studio where she works mostly with fabrics. She creates various types of art with about 35 years of experience behind her.
“The process I use is very spontaneous,” said the Asheville resident of 30 years. “Sometimes a piece of cloth will just jump out at me and I will go from there. Different pieces have different needs and insights. I will draw from experiences I had that day, the day before or even 30 years ago.”
When asked if demand for her work recently dropped due to tough economic times, she replied with optimism.
“It hasn’t affected me,” Bradley said. “I just sold a piece and they are not inexpensive. People gravitate toward the arts when things are bad. The arts always seem to pull through.”
Heather Allen-Swarttouw, a textile worker, said she does see a connection between art and the economy.
“Art echoes the economic times,” said Allen-Swarttouw, who holds 19 years of fabric weaving experience. “When the economy is down, people are more concerned with essential needs.”
Allen-Swarttouw, originally from New Hampshire, stressed the importance of the relationship between crafts and culture, especially fiber and ceramics.
“Fiber and ceramics are materials that have one of the oldest relationships with culture,” said 46 year-old Allen-Swarttouw. “The act of making is tied to your culture.”
Allen-Swarttouw said there will be a returning to hands-on experiences, something she thinks is missing from our culture.
“We’re tied, through time, to our hands,” Allen-Swarttouw said. “Everyone has them, they’re free and they don’t require electricity. There is going to be a reawakening of people getting back in touch with something that has been lost due to technology.”
Thomas Bauman, who designs jewelry with his wife, Patricia, used to be a blacksmith and picked up the art in 1989.
“I am a third generation jeweler and didn’t know it,” said Bauman, a Southern Highlands Guild member and Miami native. “My great uncle was a jeweler and there is another generation of my family in Europe who are still jewelers.”
Bauman’s comments on the economy’s association with his crafts were very hopeful.
“I’ve noticed a change, but just a slight one,” Bauman said. “Everything is still pretty much in high demand. Jewelry makes people feel better.”
According to Bauman, there are a few reasons that the art of craft making is still around.
“There is a timeless and immortal desire to create,” said the Asheville resident of 34 years. “We’re wired for it. We can’t help it. Whether it’s the desire for ornamentation or simply an act of love from one person to another when giving someone a gift, the art of craft making will be with us forever.”
Bauman said the process of his work is very traditional and that he wouldn’t want to do anything else.
“It’s a continuation of techniques,” he said. “I use the process of casting, which has been around for thousands of years. It’s just that my version of the technique is updated.”
“My wife and I aren’t happy if we’re not creating or making something,” Bauman said. “To have something come out of your head and heart and have it physically created is the most satisfying feeling in the world.”
